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Paak on the booming R&B-trap hybrid "At Least I Know." Triumphant album highlight "More & More" with Jeezy harkens back to T.I.'s 2000s sound, a booming, bass-heavy anthem that recalls his early hit "What You Know" and P$C's "I'm a King." Watch the Duck, YFN Lucci, and Teyana Taylor also make appearances, alongside producers Bangladesh, David Banner, Just Blaze, London on da Track, Scott Storch, and more. is joined by a long list of high-profile guests, including Sam Hook on the gospel-kissed "Seasons" Young Thug and Swizz Beatz on the moving "The Weekend" and Anderson. The effort balances Us or Else social issues - tackling police brutality, politics, race relations, and more - while serving familiar themes concerned with money, street life, and fame, mixing aggressive, classic trap bangers such as "Wraith" with rousing anthems such as "Jefe" with Meek Mill and "Laugh at Em." On the Dime Trap, T.I. returned in 2018 with his tenth effort, The Dime Trap (Grand Hustle/Epic). Paperwork, his most recent album, featured some proper Pharrell Williams productions assists and warranted a slew of moderately ubiquitous singles - including "No Mediocre" and "Private Show."Ī Paul Rudd cameo on The Dime Trap would, in my opinion, make nothing but absolute perfect sense.Following his politically charged examination of life and injustice in America on 2016's Us or Else compilation combo, Atlanta rapper T.I. Once dubbed one of the most influential artists of the 00s by Billboard, T.I.'s prolific output has yielded three Grammys and a multifaceted platform often emulated by his peers. For a curator to earn your credits, they will need to listen to at least 20. If you use premium credits, you can expect a decision within 48 hours. SubmitHub allows you to easily send your music to curators using either standard or premium 'credits.' Each curator requests between 1 and 3 credits. I'm breaking it all down, back to the element of where my music first began to interest people, and build it all over again." Built with musicians and curators in mind. I feel like, when you've done hits like "Whatever You Like" and "Dead and Gone," when you do those mainstream kind of "Blurred Lines"-ish kind of records, you don't go and try to top "Blurred Lines." You just come to a whole new element, bring it back down and build the process back over again. We send your music to a targeted group of playlist curators, they review your song for playlist consideration. If you're looking for KRIT with T.I., check out 'Recognize' off that record - no KRIT verse, but he does the chorus and it sounds like a KRIT tune. Whether you make pop music or are an instrumental pianist, you only pay to reach the curators that will dig your music. Piggybacking off this to point out that Big KRIT had a huge part in Bun B's Return of the Trill, which came out the same day as the surprise Em album, so everyone's sleeping on it. Linkedin is a great source to find the entire Spotify editorial team.
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Step three start finding curators, in that order. So step one find a distributor and have your music on Spotify. I just released the first teaser from it yesterday and it's going to be an extension or a continuation of the vibe from Trap Muzik. Promote your music by submitting your songs to active playlist curators. People who include Spotify links in their emails get some kind of advantage. "My tenth album, The Dime Trap, I'm working on it.
#TI DIME TRAP SPOTIFY UPDATE#
briefly deviated from the ant-centered discussion to provide an update on his forthcoming tenth (tenth!) album: In a recent interview with MovieWeb, T.I. for his participation in the rise of Iggy Azalea, the Hustle Gang impresario is busy dropping the press gauntlet surrounding his appearance alongside a pint-sized Paul Rudd in Ant-Man. As the world continues to try very, very hard to forgive T.I.